Omar: Caught Between Two Worlds

A young Tatar Polish antheral tries to reconcile the pressures of modern beingness with his blimpish household background.

This is the communicative of a young Tatar antheral successful Poland grappling with the challenges of modern life, trying to reconcile its demands with his blimpish upbringing. This observational movie is besides a metaphor for the uncertain aboriginal of his centuries-old community. Nineteen year-old Omar Szczesnowicz is from a agrarian Tatar Muslim family, and the anticipation is that he’ll travel contented by marrying a pistillate of the aforesaid religion and background. The Tatars are descended from the Mongol empire of Genghis Khan – but this is 21st-century eastbound Poland and Omar has a dependable woman from extracurricular his community, to the consternation of his domineering mother. She fears that the values and close-knit spiritual and societal ties she grew up with volition yet wither and dice if aboriginal generations don’t clasp their history, religion and culture. Omar’s situation is to equilibrium modern teenage beingness arsenic a precocious schoolhouse pupil and promising amateur boxer with his accepted Tatar roots.